Here's header ads banner

Angelina Jolie Nails the Role of Maria Callas — But Why Does the Film Still Leave Us Wanting More?

Alba Rohrwacher (left) as Bruna and Angelina Jolie as Maria Callas in "Maria."

Here's ads banner inside a post

Angelina Jolie Nails the Role of Maria Callas — But Why Does the Film Still Leave Us Wanting More?

Angelina Jolie has always been an actress who demands attention on screen. From her iconic roles in films like Girl, Interrupted and Mr. & Mrs. Smith to her humanitarian work and directorial pursuits, Jolie has carved out a reputation that is hard to ignore. So, when she was announced as the lead in a biographical drama about one of opera’s greatest legends, Maria Callas, expectations were high. Maria Callas, the tempestuous and brilliant soprano whose life was marked by both extraordinary triumphs and intense personal struggles, is a character that demands a powerhouse performance. And in Maria, Jolie delivers just that — an emotional, nuanced, and deeply compelling portrayal of a woman who captivated the world with her voice and persona.

Yet, despite the undeniable brilliance of Jolie’s performance, the film as a whole leaves much to be desired. While Jolie’s transformation into the legendary opera singer is nothing short of mesmerizing, the film struggles to capture the full weight of Callas’ complicated life and legacy. The result is a movie that, for all its potential, falls flat in ways that are hard to overlook. But why does this happen? And what is it about the film that leaves audiences wanting more?

Here's ads banner inside a post

The Allure of Maria Callas: A Role Meant for Jolie

Maria Callas was no ordinary diva. She was a cultural icon, revered not just for her unparalleled talent but for her intense, often controversial life. Born in New York City to Greek immigrant parents, Callas rose to become one of the most famous and influential opera singers of the 20th century. Her voice, a blend of power and vulnerability, made her an unforgettable presence on the world stage. But Callas was equally famous for her tumultuous personal life, her troubled relationships, her weight fluctuations, and her battle with the pressures of fame.

Jolie, known for her own complex public persona and deep emotional depth, seemed a perfect fit to embody such a woman. And indeed, she does not disappoint. From the moment she steps into Callas’ shoes, Jolie captures the essence of the opera legend. She inhabits Callas completely, from the way she speaks to the way she moves — everything about her performance feels true to the legendary soprano.

Angelina Jolie as Maria Callas in "Maria."

Here's ads banner inside a post

One of the most striking aspects of Jolie’s portrayal is her ability to convey the vulnerability that Callas hid behind her larger-than-life public image. The opera diva, often seen as a perfectionist and an embodiment of strength, was also a woman of great emotional depth, grappling with loneliness, heartbreak, and a sense of personal inadequacy. Jolie brings these complexities to life with sensitivity, showing Callas as both a passionate artist and a fragile woman who often found herself trapped by her own fame.

Jolie also nails Callas’ tragic sense of self-doubt. The film explores her relationships — particularly her passionate, and often painful, love affair with shipping magnate Aristotle Onassis — but it also shows her deep internal struggles with her identity as both an artist and a woman. Here, Jolie is particularly poignant, capturing the pain of a woman who was constantly in conflict with herself and the world around her.

The Film’s Shortcomings: Style Over Substance?

While Angelina Jolie’s performance as Maria Callas is unquestionably a triumph, the film itself leaves much to be desired. Despite a strong central performance, Maria struggles to find the emotional resonance it needs to make a lasting impact. The narrative, while anchored by Callas’ tumultuous life, often feels fragmented and disjointed. The film tries to do justice to Callas’ story but ultimately fails to give the audience a deep and cohesive understanding of her character and the world she inhabited.

The film’s pacing is inconsistent, shifting between key moments in Callas’ life without offering the necessary context or emotional depth to make these transitions feel seamless. At times, the film leans too heavily on the surface-level drama of Callas’ personal life, with her troubled love affairs and professional battles dominating the narrative. While these elements are certainly central to her story, they overshadow the more nuanced aspects of Callas’ character. The internal struggles that defined her artistry — her battles with self-worth, her commitment to perfectionism, her relentless drive — aren’t explored with the depth they deserve. Instead, the film often glosses over these complexities in favor of more conventional melodrama.

The direction, though competent, doesn’t help elevate the material. The film’s visual style, while lavish in its depiction of opera stages and glamorous settings, lacks the raw emotional weight that Callas’ story requires. There’s a sense that the filmmakers were more focused on recreating the spectacle of Callas’ public persona rather than digging into the emotional core of her life. The result is a film that feels more like a glossy biopic than a deeply felt character study.

Pierfrancesco Favino (left) as Ferruccio and Alba Rohrwacher as Bruna in "Maria."

The Power of Music: A Missed Opportunity

Given that Callas was first and foremost a singer, it’s somewhat surprising that the film doesn’t make more of an effort to incorporate her music into the storytelling. While there are a few moments where Callas’ performances are showcased, they often feel detached from the overall narrative. Music was not only the central aspect of Callas’ life but also the driving force behind her emotions and decisions. To leave it as a backdrop rather than a focal point is a missed opportunity.

Jolie’s portrayal of Callas’ vocal technique is impeccable, but the film doesn’t give her voice the weight it truly deserves. The moments where Callas sings should be more than just musical interludes; they should be moments where the audience can see the transformation in her character, where music becomes a language that speaks louder than words. Unfortunately, these moments feel more like a tribute to Callas’ vocal genius rather than an exploration of how her music shaped her identity.

The lack of focus on music also diminishes the emotional power of Callas’ story. Her entire life was intertwined with her artistry, and her love for music was both her salvation and her undoing. The film doesn’t quite capture the significance of music in Callas’ life, leaving a critical gap in the portrayal of her character.

The Relationship with Onassis: Love or Obsession?

One of the more compelling aspects of Callas’ life was her relationship with Aristotle Onassis, the wealthy Greek shipping magnate who became the center of her emotional universe. This relationship, which Callas once described as both the most passionate and the most painful of her life, is one of the key emotional arcs of the film. Jolie does a remarkable job in portraying Callas’ longing and obsession with Onassis, but once again, the film fails to delve deeply enough into the complexity of their relationship.

While Onassis is presented as the love of Callas’ life, the film doesn’t fully explore the emotional manipulation and power dynamics at play between the two. Callas was, in many ways, a woman who lost herself in her love for Onassis, and this was one of the defining tragedies of her life. The film touches on this, but it doesn’t unpack the psychological toll this relationship took on her. Instead, it reduces their bond to a series of dramatic moments that, while poignant, feel somewhat superficial.

Angelina Jolie as Maria Callas and Haluk Bilginer as Aristotle Onassis in "Maria."

A Missed Opportunity for a True Masterpiece

Ultimately, Maria is a film that should have been a masterpiece, yet it falls short of its potential. Angelina Jolie’s portrayal of Maria Callas is undeniably stunning, and her performance carries the weight of the film. She transforms into Callas in a way that few could, capturing the diva’s emotional complexity and the raw vulnerability that was often hidden behind her public persona. But despite this, the film fails to match the depth of the character it is depicting.

In many ways, Maria feels like a missed opportunity. The film has all the right elements — a legendary figure, an extraordinary performer in the lead role, and a fascinating story — but it never fully taps into the emotional depths required to truly bring Callas’ legacy to life. It’s as if the filmmakers were so focused on capturing the surface-level drama of Callas’ life that they neglected to delve into the heart of who she was.

As a result, while Jolie’s performance will undoubtedly be remembered as one of her finest, the film itself will likely be viewed as a missed opportunity to truly capture the brilliance and tragedy of Maria Callas. Maria may leave us wanting more, but perhaps it’s not just the story we want more of — it’s the emotional journey that the film could have taken us on but didn’t quite manage to. In the end, Jolie’s portrayal is a triumph, but the film fails to provide the depth and resonance that a figure like Maria Callas truly deserves.

Here's ads banner when a post finished

Scroll to Top

Here's footer ads banner